4/5/2024 0 Comments Kontakt shreddage 2![]() The sound is very clean and clear, but with a warm low end even at the highest velocities. This is a very smart compromise – B strings generally sound better tuned to B. So, it can be very metal, but it certainly doesn’t have to be. However, most of the samples on the lowest string were actually recorded with it tuned to B, and it was only tuned down for the lowest notes. The bass is set up with GEADGC tuning, like a typical six-string bass but with the low B string dropped to G. Just about the only sample content that would be rarely used outside of metal is the very lowest notes – the lowest note available is a low G, for extreme detunings. The staccato articulation is very aggressive, and in fast passages can be used as a fifth velocity layer. ![]() Velocity layers are more important for bass guitar because it is often played without distortion and also because the tonal contrast between hard and soft plucks is essential to many types of basslines. Still, Shreddage Bass 2 comes with more than 11,000 samples, which is very close to the amount of samples included in Shreddage 2 IBZ (Impact Soundworks’ metal guitar library), even though there’s no palm mutes, no pinch harmonics, no manual vibrato… Instead, what we get is more velocity layers (four for the sustained notes compared to two) and more round robins (up to eight). So, is it metal, or is it good for anything and everything? Or can both be true at the same time? While metal guitarists take advantage of various playing techniques that are not often used in other music styles, most metal bassists rather stick to the “normal” playing technique. In the case of this particular bass library, Impact Soundworks even claim it’s good for “any musical style”. The Shreddage series of sample libraries is generally made with metal in mind, but it’s good for a lot more. Shreddage Bass 2 ($119) is a detailed sample library of a six-string bass guitar for Native Instruments Kontakt and the free Kontakt player.
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